A Violinist in the Metro
A man sat at a metro station in Washington DC and started to play the violin; it was a cold January morning. He played six Bach pieces for about 45 minutes. During that time, since it was rush hour, it was calculated that thousand of people went through the station, most of them on their way to work.
Three minutes went by and a middle aged man noticed there was musician playing. He slowed his pace and stopped for a few seconds and then hurried up to meet his schedule.
A minute later, the violinist received his first dollar tip: a woman threw the money in the till and without stopping continued to walk.
A few minutes later, someone leaned against the wall to listen to him, but the man looked at his watch and started to walk again. Clearly he was late for work.
The one who paid the most attention was a 3 year old boy. His mother tagged him along, hurried but the kid stopped to look at the violinist. Finally the mother pushed hard and the child continued to walk turning his head all the time. This action was repeated by several other children. All the parents, without exception, forced them to move on.
In the 45 minutes the musician played, only 6 people stopped and stayed for a while. About 20 gave him money but continued to walk their normal pace. He collected $32. When he finished playing and silence took over, no one noticed it. No one applauded, nor was there any recognition.
No one knew this but the violinist was Joshua Bell, one of the best musicians in the world. He played one of the most intricate pieces ever written with a violin worth 3.5 million dollars.
Two days before his playing in the subway, Joshua Bell sold out at a theater in Boston and the seats average $100.
This is a real story. Joshua Bell playing incognito in the metro station was organized by the Washington Post as part of an social experiment about perception, taste and priorities of people. The outlines were: in a commonplace environment at an inappropriate hour: Do we perceive beauty? Do we stop to appreciate it? Do we recognize the talent in an unexpected context?
One of the possible conclusions from this experience could be:
If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?
Analysis: True. For 45 minutes on the morning of January 12, 2007, concert violinist Joshua Bell stood incognito on a Washington, D.C. subway platform and performed classical music for passersby. Video and audio of the performance are available on the Washington Post website.
"No one knew it," explained Washington Post reporter Gene Weingarten several months after the event, "but the fiddler standing against a bare wall outside the Metro in an indoor arcade at the top of the escalators was one of the finest classical musicians in the world, playing some of the most elegant music ever written on one of the most valuable violins ever made." Weingarted came up with the experiment to see how ordinary people would react.
And how did they react? For the most part, not at all. More than a thousand people entered the Metro station as Bell worked his way through a set list of classical masterpieces, but only a few stopped to listen. Some dropped money in his open violin case (for a total of about $27), but most never even stopped to look, Weingarten wrote.
The text above, penned by an unidentifed author and circulated via blogs and email, poses a philosophical question: "If we do not have a moment to stop and listen to one of the best musicians in the world playing the best music ever written, how many other things are we missing?"
Which is fair to ask. The demands and distractions of our fast-paced workaday world can indeed stand in the way of appreciating truth and beauty and other contemplative delights when we encounter them. But it's equally fair to point out that there's an appropriate time and place for everything, including classical music. Was such an experiment really necessary to determine that a busy subway platform during rush hour might not be conducive to an appreciation of the sublime? Probably not, though it makes for an interesting story just the same.
Comment by me Fat Bastard:
People; they suck, they suck they really really suck. They're like Dracula and they suck. Keep in mind that this experiment was done in Washington DC and we know that Washington is a city of mercenary whores and criminals. Anyone with a heart would have recognized beautiful music when they heard it and paused for a moment to drink it in.
Most people full of crap and eagerly waiting for the next shit sandwich to be served to them. There is a reason the world sucks mess because most people suck. Life offers people two things, pleasure and pain. Some people get to choose the most people don't get to choose and that's why when people grow up into adults most of them end up sucking.
The biggest douche bags work in Washington DC, with DC meaning district of corruption. These soulless creatures are incapable of recognizing something is beautiful as the music played by the incomparable Joshua Bell. It took a three-year-old child to see that and chances are his boorish parents will destroy his purity and innocence.
Had the same pieces of trash who ignored Joshua Bell paid $300 a ticket to hear him in concert they would've pretended to like it and probably would've given the guy a rousing standing ovation even though not a single note he played would've reached their black hearts unfrozen souls.
Life sucks because life sucks and people who suck make life suck even more. Stop and smell the roses and listen to music and if somebody is doing a push push push rush rush rush crap on you tell them that they can go fuck themselves.